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Communing with your significant dead is what it amounts to, and that is an exhausting thing.
Not unpleasant, but still hard work." ~ Martin Amis, on BBC's website about writing one's memoirs"Every American may be working on a screenplay, but we are also continually updating a treatment of our own life - and the way in which we visualize each scene not only shapes how we think about ourselves, but how we behave, new studies find.
by Paula Stallings Yost and Pat Mc Nees, with a foreword by Rick Bragg, a great gift for that person whose life stories should be recorded or told but who keeps saying, "Who cares what happened in my life?
Garland, Retiring, Your Money, NY Times, 12-9-16) Storytelling, so important in late life, may be facilitated in many ways, including Guided Autobiography classes (in which participants write stories to read aloud each week, on themes such as Money and Work), other forms of memoir writing workshops, telling one's story to a hired personal historian (to be captured in print, audio, or video), or participating in dignity therapy (as part of end-of-life treatment).
All demonstrate the power of the word to salvage from the onrush of life, nuggets worth saving. bonds people together far more than shared chromosomes . And it had a profound effect upon me." ~Mary Caplain, about her experience doing a 40-minute interview with Story Corps (link below)I can't stress enough how different it is to write about the real and the unreal.
~ Tristine Rainer, author of Your Life as Story and Writing the New Autobiography"Do I -- do we -- remember only those scenes that fit neatly into the central narrative in which we're most invested, the one that dovetails most cleanly and neatly with the sense of self that we've chosen or that's been imposed on us by the people around us? When I started writing my memoir my whole metabolism changed.
People do it all the time: they destroy papers; they leave instructions in their wills for letters to be burned." "Bell wrote in 2001, to announce that he had finished the first part of his archive, he said that the obsolescence of software and technology was a threat to a computer archive. I wrote an article called Dear Appy for applications.
A lot of things you may not be able to read a decade later, he said. Basically, it was saying, Dear Appy, How committed are you? Data can be lost in a disk, in a system, it can be lost in a standard somewhere. If you look at all the problems that we can think about in the decade, ten, fifty, a hundred years, thats by far No. The one that bugs me more than anything else is that. " in The New Yorker"When Ken Schrader told me Herman's story would not be the one people would expect, I was intrigued. And by the time we finished he had made me realize that he is one of the most fascinating people to ever strap on a helmet.